Bibliographic Information:
Title: Hamilton: The Original Broadway Cast Recording
Lyricist/Writer: Lin-Manuel Miranda
Label: Atlantic
Copyright date: 2015
ASIN: B013JLBPGE
Length: 2 hours, 22 minutes
Genre(s): Contemporary R&B, Ballad, Show tune
Reading Level/Interest Age: The musical is geared toward those interested in history (and musicals), so it could be any age, but some of the lyrics are explicit and contain sexual themes, making it more appropriate for those in high school or older.
Readers Annotation: Who knew that three of the best rappers were Alexander Hamilton, George Washington, and Thomas Jefferson? This musical makes history entertaining, and extremely catchy!
Plot Summary: The musical follows the life of founding father Alexander Hamilton, beginning with an introduction to his humble beginnings and the loss he suffered before he came to America to make a name for himself (“Alexander Hamilton”). He enters college and works hard to make a difference as a law student, where he encounters his future killer, Aaron Burr and befriends him (“Aaron Burr, Sir”). Young Hamilton soon joins with Burr, Lafayette, Mulligan, and Laurens with plans for revolution (“My Shot”/”The Story of Tonight”). After his skill with a pen is proven (“Farmer Refuted”), his name begins to gain in popularity among revolutionaries, such as George Washington himself, where he is made Washington’s aide-de-camp (“Right Hand Man”). There are also appearances by King George throughout the story (“You’ll Be Back”/”What Comes Next”/”I Know Him”). Hamilton also meets his wife Eliza Schuyler at a ball and immediately falls for her, but also has attachments to her sister Angelica (“Helpless/Satisfied”). The musical then goes through parts of the Revolutionary War, including the Battle of Monmouth where Charles Lee is a terrible choice for leadership and insults Washington, leading to a duel that causes Hamilton to be sent home(“Stay Alive”/”Ten Duel Commandments”/”Meet Me Inside”). Eventually, Washington calls Hamilton back, and he helps lead them to victory (“Guns and Ships”/”History Has Its Eyes on You”/”Yorktown/The World Turned Upside Down”).
After the war, Hamilton returns to New York to begin forming the new government, and eventually becomes the new secretary of the treasury, even writing the Federalist Papers (“Non-Stop”). He clashes with several other members on government issues regarding formation of banks (“Cabinet Battle #1”), but wisely compromises with Jefferson and Monroe over the placement of the country’s capital in order to get what he wants (“The Room Where It Happens”). After Hamilton wins another argument over whether to help the French in their Revolution (“Cabinet Battle #2”), Jefferson, Burr, and Madison conspire to take down Hamilton any way they can (“Washington on Your Side”). After Washington steps down as president (“One Last Time”), John Adams takes over and butts heads with Hamilton, eventually firing him and dissolving the Federalist Party (“The Adams Administration”). When Burr, Jefferson, and Madison confront Hamilton about suspicious financial activity, he admits to having an affair with Maria Reynolds and paying off her husband in order to clear his name of any possibility of treason, then fearing the truth coming out, he decides to write his own confession, essentially destroying his personal reputation even though he saves his professional one (“We Know”/“Hurricane”/“The Reynolds Pamphlet”). Years later, after Hamilton’s son Philip is an adult, he challenges a man to a duel after his father is insulted, but is shot and killed when he shoots into the air in protest (“Blow Us All Away”/”Stay Alive”), devastating his parents. In 1800 when Jefferson runs against Burr and ties with him, he wins in a landslide after Hamilton offers his support (“The Election of 1800”). This angers Burr, who challenges Hamilton to a duel, which Hamilton agrees to after refusing to apologize for questioning Burr’s morals (“Your Obedient Servant”). Burr and Hamilton duel in the same place where Phillip died, and thinking Hamilton is going to try and kill him, Burr shoots before realizing that Hamilton has shot into the air (“The World Was Wide Enough”). After Hamilton dies, his wife Eliza tries to continue his good work and tell her husband’s story (“Who Lives, Who Dies, Who Tells Your Story”).
Critical Evaluation: I was highly impressed by the educational and literary quality of this musical. Since it is nearly impossible to get tickets to the actual show at present, the Broadway cast recording of the musical is the next best thing, and unlike other cast recordings, every part of the musical is included and no dialogue is cut out, so the listeners get the entire story. Lin-Manuel Miranda’s lyrics are incredibly layered and full of wit, with catchy choruses that will get teens hooked and singing along to the music in no time. Every member of the cast shines, particularly Miranda as Hamilton, Odom Jr. as Burr, Soo as Eliza, and Diggs as Jefferson. It is difficult to pick out any one track over the others, because the quality of each song is exceptional. As far as sound production goes, the recording is a professional one, and the music doesn’t overshadow the vocal performances. The musical seems to have a universal appeal, even to people who don’t usually like musicals, so it could be enjoyed by all teens, especially when learning about the Revolutionary war and the formation of the American government in their history classes. The cast recording is available as a physical CD or in digital MP3 format, and either would work for a library. The digital format might be the best choice investment-wise since a CD could get scratched and would eventually be unplayable by teen patrons if it were too damaged.
Author Bio/Information:
From Lin-Manuel Miranda’s website:
“Lin-Manuel Miranda is an award-winning composer, lyricist, and performer, as well as a 2015 MacArthur Foundation Award recipient. His current musical, Hamilton – with book, music and lyrics by Mr. Miranda, in addition to him originating the title role – opened on Broadway in 2015. Hamilton was awarded the 2016 Pulitzer Prize in Drama and earned a record-breaking 16 Tony Nominations, winning 11 Tony Awards including two personally for Mr. Miranda for Book and Score of a Musical. The Original Broadway Cast Recording of Hamilton won the 2016 Grammy for Best Musical Theater Album. Both Mr. Miranda and Hamilton won the 2016 Drama League Awards for Distinguished Performance and Outstanding Production of a Musical, respectively. For its sold-out Off-Broadway run at The Public Theater, Hamilton received a record-breaking 10 Lortel Awards, as well as 3 Outer Critic Circle Awards, 8 Drama Desk Awards, the New York Drama Critics Circle Award for Best New Musical, and an OBIE for Best New American Play. Material from the show was previewed at the White House during its first-ever Evening of Poetry & Spoken Word in 2009, Lincoln Center Theater’s 2012 American Songbook Series and New York Stage and Film’s 2013 Powerhouse Theatre Season at Vassar College. The Chicago production of Hamilton opened in October 2016, with a National Tour and London production scheduled for 2017. The Hamilton Mixtape, a concept album inspired by the shows score featuring top rappers and musicians in the music industry will be released on Dec. 2, 2016.
Mr. Miranda’s first Broadway musical, In the Heights, received four 2008 Tony Awards (including Best Orchestrations, Best Choreography and Best Musical), with Miranda receiving a Tony Award for Best Score, as well as a nomination for Best Leading Actor in a Musical. In the Heights also took home a 2009 Grammy Award for its Original Broadway Cast Album and was recognized as a Finalist for the 2009 Pulitzer Prize in Drama. In 2016, Miranda won the Olivier Award for Outstanding Achievement in Music for the Original London production of In The Heights. Off-Broadway, In the Heights received a Drama Desk award for Outstanding Ensemble Performance, the Lucille Lortel Award and Outer Critic’s Circle Award for Best Musical and Mr. Miranda received an Obie Award for Outstanding Music and Lyrics.
Mr. Miranda is a recipient of the National Arts Club Medal of Honor and the ASCAP Foundation’s Richard Rodgers New Horizons Award. He serves as a Council Member of The Dramatists Guild, board member of Young Playwrights Inc. and was appointed by Mayor Bill de Blasio to New York City’s Theater Subdistrict Council in 2015.”
Ties to Curriculum Units: Revolutionary War, American Government, Music Appreciation
Booktalking Ideas: Play samples, see what teens know about Alexander Hamilton before listening, discuss the use of rap/hip hop as storytelling
Challenge Issues: There is a Parental Advisory label on the soundtrack due to occasional swearing and sexual innuendo (there is a song about Hamilton’s affair), so some parents might object to their teens checking out the soundtrack. I would inform them that there is a clean version of the soundtrack available for listening, but it is important to hear the musical as it was originally intended, and the message is so much more than the swearing it contains. I would link them to a Tony Awards introduction from the Obamas themselves detailing the importance of the musical to our nation in front of an example performance (https://www.youtube.com/watch?v=b5VqyCQV1Tg ). Another helpful link details the list of awards that the musical has won since its introduction two years ago (https://en.wikipedia.org/wiki/Hamilton_(musical)#Awards_and_nominations ).